Monday, 25 September 2017

Animation for Tibet

Tibet is a country that has been living under China's brutal occupation for over 65 years,.Last year, Free Tibet commissioned major research into public understanding of Tibet. The results were sobering. Many are barely even aware that Tibet exists. It's time to change that.
Free Tibet is  currently raising money to fund a brand new animated short film about Tibet, in attempt to bring the Tibetan story to life, and capture the struggle and tenacious spirit of the Tibetan people.
Once completed, they  will use Free Tibet's international reach to get this video seen by millions of people; creating a whole new generation of Tibet supporters. Whatever my political allegiances my own feelings of solidarity remain with  those who are physically, economically and culturally brutalised  Like the Palestinians and the Kurds I support their daily struggle against brutal political repression and will side with those people that are  immediately oppressed. There  is simply no escaping the fact that China occupies Tibet in much the same way other regimes occupy lands that simply do not belong to them. China’s claims to have “liberated” Tibet continue to ring hollow, and the continuing Tibetan resistance represents an important call for self-determination'
However since the 2008 uprising in Tibet, the situation has been deteriorating with thousands of arrests, and the torture of Tibetans. It is evident that Chinese policies are hampering Tibetans who are driven to drastic acts of self immolation to resist China’s political repression and cultural assimilation. Here is a link to a crowdfunding page to help Free Tibet get their message out to a much wider audience, that these people are simply not forgotten. :-, people are not simpltm/projects/animation-for-tibet?mc_cid=c8ad5c5085&mc_eid=4bb4a1c634#/

Reflections on German election night


As was widely expected, Angela Merkel was re-elected to a fourth term as German chancellor on Sunday , but I am currently very saddened and  repulsed by the shocking gains of  the far right, anti-immigrant party Alternative for Deutschland (AfD)  who won 13 percent of the vote which could see them securing 88 seats in the Bunbdestag. Which will be the first time chillingly that a far right, neo Nazi party has succeeded in getting into Germany's parliament in half a century. a really surprise result for a far-right party frequently accused of harboring Nazi revivalist ambitions. During the election campaign, the party's leading candidates said that Germans should show pride in its war veterans, including those who fought for Adolf Hitler's Third Reich  and claimed that terror is grounded in the Muslim religion.
The AfD  which was only founded in 2013 as a party against Germany's use of the 19-nation euro currency rather than the mark and the country's actions in bailing out Greece during the euro crisis. But the party quickly shifted to a nationalist, anti-immigration platform after Merkel's open-door policy was announced.This party's staunch anti-Islamic rhetoric seems to have appealed to pockets of voters who feared that at an influx of muslim refugees could shake the foundations of German society.
The vote has since  subsequently been celebrated by France's fascist Marie Le Pen ,"Bravo from our allies from AFd  for this historic score." she tweeted. It is a  a chilling reminder of the right wing, racist populism  that has won electoral success from France and Germany to Donald Trump's victory in the US.
Outside AfD's election party in Berlin after the results were announced thousands of protestors shouted "All Berlin hates the AfD" "Nazi pigs"  and other slogans. Major Jewish groups have also expressed dismay , with the World Jewish congress, calling the party " a disgraceful reactionary movement that recalls the worst of Germany's past."
Germany's  political situation  like the rest of the world , reveals a deeply disturbing  mirror of the times that we currently live in, I sincerely hope that the forces of anti-Semitism, fascism, racism and xenophobia will continue to be challenged and countered, wherever these  ugly ideas are revealed, this right wing extremism must not be allowed to grow,  must  not be allowed to triumph , as they fan the flames of fear, and must continually be resisted. Lets continue to show our humanity and promote and grant safe haven to people fleeing war and misery. Don't sit on the fence when fascism continues to rise.

Sunday, 24 September 2017


Thoughts are drunk on lemonade
the well is deep, as time drifts,
freedom to reminisce, words to spin
sorting and processing
musings whirl out the door,
another day breeches
dragging visions, as leaves fall,
the river is high, so am I
every layer has a different meaning,
I have no reason to be afraid
I have seen how light flickers,
from the eyes of springtime
the eyes of summer, the eyes of autumn
to the eyes of winter; laughter sizzling,
the ebb and flow of memory
richoceting from every direction,
revolving doors of feeling
trickling through skin and bone.

PICTURE by Keith Garrow.

Friday, 22 September 2017

The Good Goddess: Happy Autumn Equinox / Gwyl canol Hydref

(Thank you Paul, blessed be)

In the husk of life, among it's hardships
Day and night, at least in balance,
Halfway between Lammas and Samhein
As colored leaves  fall in abundance,
We honour the Dark as well as the light
The difficult as well as the easy,
Through shadows of darkness
The good goddess returns,
Breaking through autumns window
To sanctify desires, help fear dissipate,
Existing in the form of time and space
Immortal protector of the human race,
Scattering seeds where dreams sprout
Mortals accept  magic into heart,
Journeying on to the chill of winter
Catching nature's loving embrace,
Bidding farewell to long days of light
We return bright blessings and rejoice.

Thursday, 21 September 2017

Morrissey - Spent the Day in Bed

Morrissey returns with a gloriously pro-idle single called “Spent the Day in Bed” it's classic Moz  and includes such subversive lines as “I spent the day in bed, as the workers stay enslaved”, “no bus, no boss, no rain no train” and “stop watching the news!” It's a delightful return to form, a typical blend of melody and the morose as he puts a big middle finger up to the establishment and reflects on the horrors of the modern world presented by the media – choosing to remain in bed rather than get involved. "And I Recommend that you stop watching the news because the news contrives to frighten you , to make you feel small and alone , to make you feel your mind isn't your own."he track is taken from his first new new studio album in three years called Low in high school.
Elsewhere Morrissey has finally taken to social media and has opened up a 'Twitter account. His first post ? " Spent the day in bed." Of course!!

Wednesday, 20 September 2017

In a troubled world : Some respite

Though we travel the world over to find the beautiful, we must carry it with us or we find it not.
~ Ralph Waldo Emerson

As seasons change, with loss and time, some words simply released, from  jotted down thoughts, on different pieces of paper, somehow freestyled, pieced back together.Beyond the pain of humanity and  the sadness of separation, melodies  lift, I hear hope as an echo, where humanity dances, leaving nothing but wonder. Innumerable memorable.Among times drifting clouds, respite continues, some  moments or two of peace and quiet ,to share. To allow thoughts to keep moving on, walking through gardens of truth , with reason and passion.
Lets water the seeds of liberty, as  stars above shine, into all our yesterdays and all of our tomorrows, every single second of  our steps draws us ever closer still . Overcoming days  hollow woes, seizing magic, while it glows, beyond fears containment, the laughing smile comes back and dreams live on.

Sunday, 17 September 2017

35th anniversary of Sabra-Shatila massacre.

“Sabra and Shatila Massacre” (1982-83), by pioneering Iraqi artist Dia al-Azzawi

35 years ago over three bloody days from September 16 through  to  18, 1982, up to 3,500 Palestinian defenceless refugees in Shatila camp and Sabra neighborhood in Beirut, Lebanon were slaughtered at the hands of Phalangist militiamen, encircled, trained and supported by Israeli occupation forces who had besieged West Beirut for 88 days before launching a full-scale occupation-day period, members of the Lebanese Christian militias, with the support of Israeli troops, killed mostly women, children and the elderly living in the camp complex. Exactly how many were actually killed  remains unknown as the real number is hard to determine because bodies were buried quickly in mass graves or never found and many men were marched out of the camp and “disappeared.” Israel actually supplied the bulldozers to bury the dead and later  tanks entered the camps and ran over the whole area, destroying houses and clearing any signs of crime.
Shortly before the massacres, the Palestinian Liberation Organisation was evacuated from Lebanon as a result of an agreement reached after the Israeli invasion of the country. That meant the residents of Sabra and Shatila no longer had protection, despite promises made to them by Philip Habib, an envoy for then US President Ronald Reagan, that their security would be guaranteed.
The massacre was presented as retaliation for the assassination of newly elected Lebanese president Bachir Germavel, the leader of the Lebanese Kataeb Party. It was wrongly assumed that Palestinians militants had carried out the assassination. The incident would cause outrage and condemnation across the world.Sadly the Sabra and Shatila crimes were not the first crimes against the Palestinian people and would not be the last.
Thirty five years later, the massacre at the Sabra and Shatila camps is remembered as a notorious chapter in modern Middle Eastern history. Today, not a single person (Israeli or Lebanese) has been charged with  involvement in the crime. The amnesty law that came into affect after Lebanon’s Civil Wars ended in 1991 let many of those involved in the massacre off the hook, including those who now form one of Lebanon’s ruling political parties, the Kata’eb. The forces who led the massacre were under the direct leadership of Elie Hobeika, intelligence chief of the Lebanese Forces. .
The Kahan Commission, later set up in 1983 in response to widespread international pressure, concluded that that Israeli leaders were “indirectly responsible” for the killings and that Ariel Sharon, then the defense minister and later prime minister, bore “personal responsibility” for failing to prevent the massacre Ariel Sharon, bore personally responsible, among others, for the massacre. Elie Hobeika later became a long-serving Member of the Lebanese Parliament as well as serving in many minsterial roles. Despite the findings of the Kahan Commission, Ariel Sharon held many influential ministerial roles in the Israeli government, serving in fact as Prime Minister from 2001 to 2006. Thus were the engineers of one of the bloodiest and most appalling massacres in contemporary history rewarded.
It is quite simply one of the greatest human tragedies that we should never simply forget.
Israel continues to abuse Palestinian rights without consequence. Settler attacks on Palestinian property, lands, and persons have terrorised thousands and killed almost entire families, such as last year's arson attack on a Palestinian home that killed a mother, father, and their 18-month baby. Palestinian complaints filed against settlers go unindicted by Israel. In fact, as documented by Israeli human rights organisation B'Tselem, "the Israeli military serves the settlers by allowing the attackers to simply walk away". When they do take action, Israeli soldiers are more likely to support the settlers, often allowing them to continue attacking Palestinians rather than shielding innocent civilians.
The dehumanisation of Palestinians by Israel continues and the Israeli military itself continues to commit war crimes with impunity, as evidenced by Israel's repeated attacks on the tiny besieged Gaza Strip over the past decade, which have killed thousands of innocent Palestinians with disproportionate and indiscriminate force. Today there are more than 400,000 Palestinian refugees living in Lebanon, most barred from owning property and earing decent wages. They make up part of the nearly 5 million Palestinians refugees living in the West Bank, Gaza and throughout the Middle East, descendants of the 750,000 displaced after the establishment of the Israeli State.
Israel's 69 years of dispossession and half-century of military rule still ongoing and is supported by unconditional American military aid and diplomatic backing. International bodies like the UN Security Council have repeatedly made note of Israel's human rights violations. Injustices continue to this day  through land confiscations, home demolitions, mass imprisonment, collective displacement, racist discrimination, assassination and killing.
The conscience of the world was terribly wounded on this  day and we cannot, should not and will not ever forget or forgive.With sorrow and with struggle, we  must remember Sabra and Shatila and pledge to continue to work for justice.The international community is obliged to remedy its moral responsibility to the victims of the  massacre by working to end Israel's occupation and other abuses of Palestinian rights.
I conclude this post with the following powerful, moving poem from the pen of the late great Palestinian poet Mahmoud Darwish.

Sabra and Shatila  by Mahmoud Darwish

Sabra — a sleeping girl
The men left
War slept for two short nights,
Beirut obeyed and became the capital…
A long night
Observing the dreams in Sabra,
Sabra is sleeping.
Sabra — the remains of a dead body
She bid farewell to her horsemen and time
And surrendered to sleep out of tiredness.. and the Arabs who threw her behind them.
Sabra — and what the soldiers Departing from Galilee forgot
She doesn’t buy and sell anything but her silence
To buy flowers to put on her braided hair.
Sabra — sings her lost half, between the sea and the last war:
Why do you go?
And leave your wives in the middle of a hard night?
Why do you go?
And hang your night
Over the camp and the national anthem?
Sabra — covering her naked breasts with a farewell song
Counts her palms and gets it wrong
While she can’t find the arm:
How many times will you travel?
And for how long?
And for what dream?
If you return one day
for which exile shall you return,
which exile brought you back?
Sabra — tearing open her chest:
How many times
does the flower bloom?
How many times
will the revolution travel?
Sabra — afraid of the night. Puts it on her knees
covers it with her eyes’ mascara. Cries to distract it:
They left without saying
anything about their return
Withered and tended
from the rose’s flame!
Returned without returning
to the beginning of their journey
Age is like children
running away from a kiss.
No, I do not have an exile
To say: I have a home
God, oh time ..!
Sabra — sleeps. And the fascist’s knife wakes up
Sabra calls who she calls
All of this night is for me, and night is salt
the fascist cuts her breasts — the night reduced — 
he then dances around his knife and licks it. Singing an ode to a victory of the cedars,
And erases
Quietly .. Her flesh from her bones
and spreads her organs over the table
and the fascist continues dancing and laughs for the tilted eyes
and goes crazy for joy, Sabra is no longer a body:
He rides her as his instincts suggest, and his will manifests.
And steals a ring from her flesh and blood and goes back to his mirror
And be — Sea
And be — Land
And be — Clouds
And be — Blood
And be — Night
And be — Killing
And be — Saturday
and she be — Sabra.
Sabra — the intersection of two streets on a body
Sabra, the descent of a Spirit down a Stone
And Sabra — is no one
Sabra — is the identity of our time, forever.

(translation by Saad El Kurdi)

Here is a link to a post from a few years ago:

Friday, 15 September 2017

End indefinite Detention

Immigration detention centres are officially called Immigration Removal Centres, as their stated purpose is to hold people who the government intends to deport from the UK. Around half of people in immigration detention are asylum seekers, and many have family ties in the UK. Over 30,000 migrants are detained in the UK every year.
There are, at present, 11 detention centres in the UK. (This figure includes Short Term Holding Facilities.) Some are run by private security companies, others by the Prison Service. People in detention cannot leave and have very limited freedom of movement within the centres. Security levels are similar to prisons
People are detained for a very long time by the UK Border Agency when they cannot return to countries like Zimbabwe or Somalia because they are too dangerous. Others cannot be deported because they do not have a passport and their Embassy refuses  to allow them to return. People are not able to leave Britain but instead of being released, they are kept in detention indefinitely.
Most people find long-term detention intensely traumatic. Not knowing when you will be free is damaging to mental health. People who have been tortured or imprisoned in their home countries are particularly scarred by long-term detention.
Indefinite immigration detention is arbitrary from beginning to end. A person doesn’t know when they will be detained; and when they are picked up, they won’t know where they are being taken. Very often, the only belongings they will be allowed to take with them are the clothes they stand up in. Likewise, they won’t know when, or how, their detention will end. Durations vary, and detention might be only a matter of weeks, but it could just as well be months or years, the whole point being that the person detained doesn’t know. This isn't for committing a crime. It's purely because their applications to be in Britain have been refused, or are still being processed.
The UK is the only country in Europe which locks asylum seekers up indefinitely.How would you feel if you had to flee your home for fear of persecution, risked everything to travel to another country in the hope of safety, only to arrive and be detained, often without explanation or any indication of when you at be released? Would you not agree with me that it would be a completely  dehumanising experience.Alternatives to detention are cheaper, more effective and avoid the harm of detention.  States that have tried working with migrants in the community to resolve their cases have found that most comply with immigration requirements, for a fraction of the cost of detention.
Please sign the below petition from the Green Party of England and Wales to demand an end to this cruel, unnecessary practice!

Thursday, 14 September 2017

Diolch yn fawr BBC

Diolch yn fawr BBC  Cymru ,"No drones over Gaza!" was chanted by  protesters from Ceredigion, Pembrokeshire, Carmarthenshire at the  drones testing airfield, known as Parc Aberporth .
Based in the city of Haifa, Elbit produces military and civilian-use equipment, including drones, aircraft, weapon control systems, and artillery. The company's customers include the Israeli army, US Air Force, and the British Royal Air Force.
Operations at the Elbit owned drone factory at Shenstone near Birmingham was shut for two complete days  as protestors called for the closure of the factory and for a complete embargo on arms sales between Israel and the UK. On Thursday 6th July over a hundred people had gathered at the factory and took part in a number of activities to remember the thousands of Palestinians killed by Israel’s attacks on Gaza. Names of those killed, written on hundreds of strips of material,were tied to the fence surrounding the factory and the top of the fence was festooned with Palestinian flags. Small cardboard coffins, each with a photograph and name of a child killed in Gaza, were laid across both entrances to the factory. Palestinians at the protest reminded people that each of the people killed by an Israeli drone is a person, with a name, an age, a family and a story of their life.
On Friday 7th July activists returned once more to the factory, where the Palestinian flags and ribbons of names of those killed continued to surround the factory. All three entrances to the factory were blocked, forcing its closure for a 2nd day. Five protestors were subsequently arrested but as they were taken away the names of those killed in Gaza were still fluttering from the fence and 50 or so flags were flying defiantly. The protesters believed that the factory is complicit in illegal activity and that they were preventing a crime,"
The chanting  in Aberporth was heard loud and clear in the background as Bethan Williams of Cymdeithas yr Iaith (pictured below on far right) spoke to BBC Wales reporter Matt Murray who happened to be there in connection with the Telegraph report about the two drones that had crashed into the sea off Aberporth…/army-grounds-1bn-drone-fleet-…/. Bethan's excellent clear, cogent interview was broadcast on Radio Cymru's "Post Prynhawn": @ 37.41 The references to the drones' impact over Gaza were not edited out of Bethan's interview the way they were from the other interview with my comrade Harry Rogers. Harry of Bro Emlyn Peace and Justice and  also of the Drones Campaign Network Cymru  (far left in photo above waving Palestinian flag )  in a greatly shortened interview, omitted any mention of Gaza, but was at least broadcast in the evening news on BBC Wales…/bbc-wales-today-evening-news-13092017 @ 6:45
And well done to Elizabeth Morley for coming up with the idea for us to go to Aberporth.. Incidentally I try not to smile for camera on occasions like this. But charges  were dropped against 3 defendants. The trial of the remaining 2 will be on 24 November. Palestine will be free.

Wednesday, 13 September 2017

Remembering Photojournalist Kevin Carter ( 13/9/1960 - 27/7/1994)

Kevin Carter was an award winning South African photojournalist whose image of a starving female Sudanese toddler, alone and severely emaciated, attempting to crawl to an aid station for food made hi internationally famous. A vulture is standing on the ground behind her, waiting for her to die so that it can eat her. Thanks to this memorable photo, the famine in Sudan became internationally known. Carter left an indelible mark on the planet's consciousness. At this point Carter was probably not aware that he had shot one of the most controversial pictures in the history of photojournalism.

Sold to the New York Times ,the photograph first appeared  on 26 March 1993, and was carried in many newspapers around the world. Hundreds of people contacted the Times to ask the fate of the girl. The paper reported that it was unknown whether she had managed to reach the feeding center. . Carter left an indelible mark on the planet’s consciousness. At this point Carter was probably not yet aware that he had shot one of the most controversial photographs in the history of photojournalism
Sold to the New York Times, the photograph first appeared on 26 March 1993 and was carried in many other newspapers around the world. Hundreds of people contacted the Times to ask the fate of the girl. The paper reported that it was unknown whether she had managed to reach the feeding center. On May 23, 14 months after capturing that memorable scene, Carter walked up to the platform in the classical rotunda of Columbia University's Low Memorial Library and received the Pulitzer Prize for feature photography.
However when the picture gained international prominence people started asking what had happened to the girl. It emerged that Carter had apparently done nothing to help the girl. He received heaps of criticism for his “inhumane” actions. Questions  were raised about the ethics of taking such a photograph. An article printed in 1994 in the St Petersberg Times commented on the morality of Carters actions, ‘the man adjusting his lens to take just the right frame of her suffering might just as well be a predator, another vulture on the scene,’
The National Press Photographers Association (NPPA) have a ‘Code of Ethics’ which sets out certain ethical responsibilities when carrying out journalistic work, one reads as thus, ‘while photographing subjects do not intentionally contribute to, alter, or seek to alter or influence events.’ Considering this, one can say Carter was objective and documented what he saw, capturing the severity of the situation in Sudan.
Carter was working in a time when photojournalists were told not to touch famine victims for fear of spreading disease. He witnessed masses of people starving to death. Carter estimated that there were twenty people per hour dying at the food center. This child was not unique. Regardless, Carter often expressed regret that he had not done anything to help the girl, even though there was not much that he could have done. Carter defended himself and  claimed that he waited 20 minutes for the vulture to spread its wings, which he thought would make a better picture, and when it didn’t, he took the picture,scared the vulture away, then left the girl to continue crawling on her own.
Carter's goal was to spread awareness of the violence and famine plaguing sub-Saharan Africa. Often, after taking photographs, Carter was so deeply affected that he would sit alone for hours, crying and smoking cigarettes. He was unable to escape the terrible scenes he witnessed.
To this day no one knows what became of the Sudanese girl, but the picture remains one of the most powerful images of our time.
Carter's friend and fellow photographer Ken Oosterbroek was killed just few months before 27 July 1994 when Carter drove to the Braamfontein Spruit river, near the Field and Study Centre, an area where he used to play as a child, and took his own life by taping one end of a hose to his pickup truck’s exhaust pipe and running the other end to the passenger-side window. He died of carbon monoxide poisoning, aged 33. He had spiraled into a depression, to which many things were a factor, his vocation as a photojournalist in 1980s South Africa is believed to be a huge part of it. Carter is the tragic example of the toll photographing such suffering can take on a person
Though he will forever be remembered by that harrowing picture and the fact that he committed suicide 14 months after winning the highest accolade in his field of art, Carter played an important role in ending Apartheid in South Africa through his craft.
Kevin Carter was born in 1960, the year Nelson Mandela's African National Congress was outlawed and the year of the Sharpeville massacre when South African police opened fire on peaceful demonstrators, killing 60 people and leaving ore than 300 wounded.Descended from English immigrants, Carter was not part of the Afrikaner mainstream that ruled the country. Indeed, its ideology appalled him. Yet like many others he was caught up in its historic injustices. Later he was conscripted into  the south african defense forces which he despised.One day he shielded a black waiter against other soldiers they called him a kaffir-boetie (nigger lover)which struck him severely. in 1980, he went absent without leave, he rode a motorcycle to durban  and became a dj but he lost his job and returned to the army to finish  his service in Pretoria. In 1983, while on guard duty, he was injured  by a bomb that killed 19 people , he survived and finished his service .He found a job at a camera repair shop and slowly drifted into photojournalism and started working for  the johannesburg star in 1984 , along with his friends Ken Oosterbroek, Greg Marinovich, and Joao Silva longed to expose the brutality of Apartheid to the world. Risking imprisonment and death they captured the violence of South Africa so vividly that a Johannesburg magazine dubbed them "The Bang-Bang Club." The title stuck. Carter and his friends were fearless and put themselves in harm's way for what they believed in.
Along with his famous photograph, Carter had captured such things as a public necklacing execution in 1980s South Africa, along with the violence of the time, including shootouts and other executions.

Carter spoke of his thoughts when he took these photographs: “I had to think visually. I am zooming in on a tight shot of the dead guy and a splash of red. Going into his khaki uniform in a pool of blood in the sand. The dead man’s face is slightly gray. You are making a visual here. But inside something is screaming: ‘My God!’. But it is time to work. Deal with the rest later. If you can’t do it, get out of the game”.

Kevin Carter in action

Carter's story was subsequently depicted in the 2010 feature film, The Bang-Bang-Club in which he was played by Taylor Kitsch.
Carter's friend and fellow photographer Ken Oosterbroek was killed just few months before. Kevin Carter wound up developing a serious substance abuse problem. He used cocaine to give him the energy he needed to be hyper-vigilant at all times while in combat zones. He used marijuana and alcohol to try to calm himself down at night, haunted by the things he'd seen. Carter also felt constant guilt as a white person when he witnessed the atrocities committed against black South Africans, as well as between various tribes. Carter felt responsible for the deaths that he saw and tried to atone for the violence committed by the hands of white South Africans. He would at least live to witness the election of Nelson Mandela and the fall of apartheid South Africa.
However a cloud of guilt haunted his eye, tormented by the human tragedy that he had witnessed.
Portions of Carter's suicide note read as this:"I am depressed ... without phone ... money for rent ... money for child support ... money for debts ... money!!! ... I am haunted by the vivid memories of killings and corpses and anger and pain ... of starving or wounded children, of trigger-happy madmen, often police, of killer executioners ... I have gone to join Ken if I am that lucky."
If truth be told some photographs are  beyond words, deeds  or actions. Kevin Carter's  memory and contribution to ending oppression and exposing the suffering of Africans by releasing it to the world with his pictures lives on.

Manic Street Preachers  - Kevin Carter

Hi Time magazine hi Pulitzer Prize
Tribal scars in Technicolor
Bang bang club AK 47 hour

Kevin Carter

Hi Time magazine hi Pulitzer Prize
Vulture stalked white piped lie forever
Wasted your life in black and white

Kevin Carter
Kevin Carter
Kevin Carter

Kevin Carter
Kevin Carter
Kevin Carter
Kevin Carter

The elephant is so ugly he sleeps his head
Machetes his bed Kevin Carter kaffir lover forever
Click click click click click
Click himself under

Kevin Carter
Kevin Carter
Kevin Carter